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Magical Negro
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Review
“Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read―both as an account of a private life and as searing political protest.†- Glory Edim, TIME Magazine“2019 justly belongs to Morgan Parker. Her poems shred me with their intelligence, dark humor and black-hearted vision. Parker is one of this generation’s best minds, able to hold herself and her world, which includes all of us, up to impossible lights, revealing every last bit of our hopes, failings, possibilities and raptures.†- Danez Smith, T Magazine“Morgan Parker continues to fearlessly explore what it means to be a black woman in the United States today. . . . Bold and edgy, the writing spotlights the strength and tenacity that enable the speaker to survive grief and inequity. It also gives voice to her disappointments and delights as she claims―and proclaims―agency over her body and her life.†- The Washington Post“From dating white boys to imagining what Diana Ross was thinking in that famous photo where she licks her fingers after eating a pair of ribs, Parker’s second poetry collection runs the gamut. But each poem is written with her signature wry humor and caustic honesty.†- BuzzFeed“Told with Parker’s signature lyricism and humor; her poems have the ability to soothe and to incite, she nimbly creates spaces for you to rest while reading, and let the power of her words and message sink into you like a heavy stone into water, or a hot knife through butter. It’s nothing short of triumphant.†- NYLON“Fierce, playful and political, Parker’s poems celebrate the everyday just as they face off ancestral hurt. . . . Holding history and the contemporary to account, Magical Negro meets prejudice with an unwavering eye.†- The Guardian“Parker’s voice is surprising, ranging from elegiac to conspiratorial to ecstatic; she interrogates both blackness and femininity like ports in a long personal journey, as places to land but also as points of departure.†- Vogue“Parker’s poetry seamlessly intertwines moments of intimate introspection, euphoria, desire, and sorrow with reflections on the psychological and spiritual legacy of Black America.†- Broadly“Parker's poetry is lyrical, humorous and bold. She holds nothing back in this collection, and the reader never asks her to.†- Marie Claire“It’s a cliché to call a work of art a conversation starter, but this book is. One could spend hours discussing not only the whole collection, but each individual poem. . . . Dizzyingly interdisciplinary . . . A book that delights and astonishes even as it interrogates.†- The Los Angeles Review of Books
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About the Author
Morgan Parker is the author of There Are More Beautiful Things Than Beyoncé and Other People’s Comfort Keeps Me Up At Night. Her poetry and essays have appeared in Tin House, the Paris Review, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, Best American Poetry 2016, the New York Times, and the Nation. She is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a 2016 Pushcart Prize, and a Cave Canem graduate fellow.
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Product details
Paperback: 112 pages
Publisher: Tin House Books; 1 edition (February 5, 2019)
Language: English
ISBN-10: 1947793187
ISBN-13: 978-1947793187
Product Dimensions:
5.6 x 0.4 x 8.6 inches
Shipping Weight: 2.4 ounces (View shipping rates and policies)
Average Customer Review:
3.8 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#25,891 in Books (See Top 100 in Books)
I have already read this gorgeous collection twice, and will be returning to it often. Parker's poems are often humorous, sometimes devastating, always brilliant.
If you enjoyed There Are More Beautiful Things Than Beyoncé, then you’ll like this one too.
There is very little poetry is this book. What is there is more like scribblings in a high school notebook. The idea seems to be: Make a laundry list of today’s hot topics and buzzwords. Then make a bunch of half sentences and arrange them in a way that parodies a good deal of late twentieth century poetry. Don’t capitalize, e.e. cummings style. Also, make every poem about yourself and the wonder of being you.I once read that a bad protest song is still a bad song. Same here.If you want to see how beauty can be created from oppression, check out Seamus Heaney. Or Nikki Giovanni. I don’t doubt that the author may possess the seeds of talent, but a lot more practice at the art of Poetry is needed.
This work is a comprehensive meditation on the intersections of Blackness, womanhood, consciousness, and Millennialist identity in the Trump-era America. There is acute sensitivity and cultural analysis transcribed in these poems, as well as subsequent soul weariness, birthed from the inherited Afro-American collective and enacted through day to day interactions with whites, with men, and with oneself.The consistent theme here is race, but then, as Parker expounds, when one is Black, one cannot escape confronting race, whether one wants to or not. It's the ever dominant reality. Her lyrics here is the stream of consciousness in all our minds everyday.
Artfully crafted. Genius work. Revelatory poet. I feel lucky to be living on earth at the same time as her.
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