Friday, June 21, 2019

Free PDF The Doors of Perception: Heaven and Hell (Thinking Classics), by Aldous Huxley

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The Doors of Perception: Heaven and Hell (Thinking Classics), by Aldous Huxley

Product details

Series: Thinking Classics

Paperback: 100 pages

Publisher: Fontal Lobe Publishing; First Edition edition (April 22, 2011)

Language: English

ISBN-10: 9781907590092

ISBN-13: 978-1907590092

ASIN: 1907590099

Product Dimensions:

5 x 0.2 x 8 inches

Shipping Weight: 6.4 ounces

Average Customer Review:

4.2 out of 5 stars

397 customer reviews

Amazon Best Sellers Rank:

#236,838 in Books (See Top 100 in Books)

I first read this book when I was 13. I am now 66. Did it influence my life? Looking back, perhaps even more so than I had realized. It was 1963 when I read it. I had been reading dystopias and had just finished "Brave New World." There was so much talk about LSD, mescaline, peyote and other hallucinogens as being "mind-expanding" and all that stuff that is now history. One interesting point of history regarding Aldous Huxley's life. He died the day JFK was shot. He was taking LSD at the time because he wanted to experience death as fully as he could.The title was taken from William Blake who had said, "If the doors of perception were cleansed every thing would appear to man as it is, infinite." That quote and this book would later help Jim Morrison in naming his band, "The Doors."I read it with rapt attention. I was entranced. When I reread it recently, I was amazed at how much I remembered and how much of my life choices it had influenced.I do remember that I promised myself at that young age, that when I was older, I would try these drugs as the search for "God" and spirituality was very important to me then and is still now.In particular, I recall the passage where, staring at a simple chair, Huxley waxed eloquently about what the chair revealed about its maker. Most of all, I recall his referring to perceiving the "isness" of the chair.This book was originally published in 1954. It was an important book then and it remains so now. It is a "must-have" for the library of any seeker of the truth, any who seek "higher learning", (pun intended and not), any who are investigators of world spirituality. Very highly recommended.

This is a great book, but be sure to avoid the "Important Books" edition (the one with the black cover and red/green/white lettering). It is a bootleg printing of terrible quaity. The cover image is a low-resolution jpeg that's been stretched to more than twice its original size, the text inside was obviously edited in MS word without any care. Do not buy this edition, you will be better off reading from a computer screen.

This book didn’t blow my mind (mainly because anyone who’s versed in psychedelics has likely read more recent material than this 1952 book, as much progress has been made on the ideas Huxley discusses) however it presents some very interesting and valid thoughts and observances, especially for its time. It’s safe to say that several of his descriptions and assumptions were well ahead of their time and resonate with me by remaining relevant even in the present day.The one thing I didn’t like about the book is that I felt it went off subject and drifted too much with irrelevant subject matter - however - considering when it was written, this may have been necessary to paint an accurate picture and to articulate a comparison of “normal” reality for those unacquainted with LSD, psilocybin or Mescaline.I would recommend this read to anyone who likes Huxley and has an interest in the classic early writings on psychedelics.

The doors of perception is an interesting description of the author's experience with psychedelics but if you yourself have never tried them it might not be too interesting. Heaven and Hell is worth less attention unless you are really interested in art

i've never had someone parallel my thoughts on psilocybin so perfectly, yet in the absolute best wording possible... Worth a read for all of you who have had an eye opening trip and need to consolidate some of your thoughts. Huxley somehow predicted our building of perception when we would not solidify these theories until just recently with modern neuroscience. He did it with his own doors of perception, and excellent philosophical mindset. He predicted many things that are true. I was shocked when I found out this was written in the 50's. A true renegade of his time."Most of these modifiers of consciousness cannot now be taken except under doctor’s orders, or else illegally and at considerable risk. For unrestricted use the West has permitted only alcohol and tobacco. All the other chemical Doors in the Wall are labeled Dope, and their unauthorized takers are Fiends."

Great book! Aldous Huxley has some really great observations about his experience with mescaline, and interprets them in a very contemporary existentialist manner.

I don’t remember reading a book that’s so concise yet full of thought-provoking ideas in every paragraph. The second essay has a very unique approach to analyzing arts through their ability to induce a trip to the “ other world of the mind”.

Overall, I liked it. I thought that there were some good insights that will be helpful to me. I did think that it was verbose, and at times, it took way too many words to get to a point. I did like the way he wove things together.

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Friday, June 14, 2019

Ebook Download Women’s Lives, Men’s Laws

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Review

“MacKinnon's first collection of essays since 1987, is absorbing and important... Perhaps more than anyone else, MacKinnon has changed the way we use the law in America today. The essays here on rape, abortion, prostitution and harassment law make clear how, and it's intellectually exciting stuff...Women's Lives, Men's Laws is a compelling vision of how our use of law shapes inequality and how we might rethink it.”―Jennifer Michael Hecht, New York Times Book Review“The book contains much that is impressive, both intellectually and rhetorically, and it is instructive both about the history of MacKinnon's battles and about the issues.”―Thomas Nagel, Times Literary Supplement“Women's Lives, Men's Laws contains the deepest and best feminist writing around, and there is nothing like it. MacKinnon is a figure of singular importance for the history of feminist thought and for its present. Before MacKinnon, there was no legally usable concept of sexual harassment. Now in any law library there are shelves of publications developing her ideas. Before her work, sexual advances in the workplace were not typically seen to involve an asymmetry of power (although they always did involve this, and women knew it). Now even the most conservative judge will use MacKinnon's framework of analysis in adjudicating cases. Before MacKinnon, again, issues of sexual equality were commonly dealt with by saying "equals to equals, unequals to unequals" - so if a difference could be shown between women and men, for example that only women get pregnant, not providing employees with pregnancy insurance did not constitute sex discrimination. After MacKinnon the concept of equality was understood in terms of a different antonym - subordination, second-class citizenship. Before MacKinnon, the law of obscenity focused on the alleged offensiveness of the sexy. Now even those who do not agree with her practical proposals agree that issues of violence, subordination, and abuse must be central in coming to grips with the problem of pornography. Finally, it is to a considerable extent due to MacKinnon's influence that sexual abuse of women is now regarded as a major human rights violation internationally. In short, as even critics of her views will readily agree, there is no single person who has done more to change the course of American law. She is among the century's most important thinkers, and I can think of none whose theoretical work has done more to improve human well being.”―Martha Nussbaum, author of Cultivating Humanity“The writings in MacKinnon's Women's Lives, Men's Laws continue to be excellent - fresh, concise and incisive. She has new things to say that will continue to enrapture and enlighten a large readership (and perhaps enrage others, many of whom perhaps never actually read her work).”―Frances Elisabeth Olsen, author of Feminist Legal Theory“As an activist and legal scholar, MacKinnon has been a prominent force in feminism since the mid-1970s, when she pioneered the legal claim for sexual harassment. Her latest volume brings together 29 essays that show how the juridical legal system empowers men at the expense of women...MacKinnon offers thought-provoking commentary on a wide range of subjects, including the ERA, abortion, Brown v. [Board of] Education, the history of sexual harassment law and the intersections of sexism with racial inequality and animal rights.”―Publishers Weekly“Catharine MacKinnon brings several decades worth of writing and speaking on the role of women in law together in this collection of essays. Women's Lives, Men's Laws is a fascinating look at MacKinnon's vision of what law could be if it supported, or God forbid, promoted the rights of women in the court system. In essays on myriad topics such as the equal rights amendment (ERA), color and gender, the evolution of sexual harassment laws, Brown vs. the Board of Education , and even animal rights, MacKinnon makes the same point over and over again--that the law fails women, and change is too slow and not enough... Women's Lives, Men's Laws shows how the law can give women power if they know how to use it to their advantage, and encourages women to improve the law by getting their experiences included in the making and interpreting of laws.”―Wendy Anderson, Bookslut“Histories of American law in the late twentieth century will discuss the contributions of only two or three people who made major contributions to the law as scholars, not judges. Richard Posner is one. Catharine MacKinnon is another. Women's Lives, Men's Laws, a collection of her essays, many published before but some in hard-to-locate journals, shows why...Historians will grapple with MacKinnon's role in constructing contemporary law. Today's readers will benefit enormously from grappling with her claims about what that law is and should be--even, or perhaps particularly, the claims that for the moment seem off-the-wall.”―Mark Tushnet, American Lawyer“One mark of [MacKinnon's] status as someone taken very seriously in some very serious quarters is the fact that the current collection is simply that--not a book woven together from or built on older pieces, but a handy repository for some of MacKinnon's law journal articles, anthology contributions and speeches...Women's Lives, Men's Laws offers reminders of what she thinks sexual equality would look like and how she thinks the law might come to share in the creation of such equality despite having spread its protective arms around sexual inequality for so very long.”―Elizabeth Spelman, London Review of Books“[Women's Lives, Men's Laws'] scope makes it an absorbing overview of MacKinnon's views on women's inequality...Her perspective obviously recognizes and builds on the insights of the legal realism and critical legal studies schools, but MacKinnon makes the extraordinarily bold move to develop positive theory and practice of sex equality under the law. In this I think that she joins only a handful of contemporary theorists whose work goes beyond critique and offers a genuinely new way of talking and thinking about significant problems...MacKinnon is extraordinary in her willingness to tackle big, provocative questions about the nature of law, the requirements of justice, and limitations of legal discourse...It is rare for a collection of this type to offer genuinely new intellectual insights but Women's Lives, Men's Laws does just that. It is a significant addition to legal scholarship abut equality and an important amplification of MacKinnon's vision for women's rights.”―Rose Corrigan, Law and Politics Book Review“Women's Lives, Men's Laws is a powerful collection of more than two decades of Catharine MacKinnon's feminist legal scholarship. Perhaps MacKinnon's greatest strength in this compilation--in which she discusses a range of issues, from equality theory to sexual harassment to pornography--is her methodology. She truly builds her "theory out of women's practice, comprised of the diversity of all women's experiences." Her steadfast connection to the women upon whom and for whose benefit her theory is based can be credited for the richness and persuasiveness of her arguments.”―Jennifer Denbow, Law, Culture and the Humanities

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About the Author

Catharine A. MacKinnon is Elizabeth A. Long Professor of Law at the University of Michigan Law School and the James Barr Ames Visiting Professor of Law (Long-Term) at Harvard Law School.

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Product details

Paperback: 576 pages

Publisher: Belknap Press: An Imprint of Harvard University Press (April 30, 2007)

Language: English

ISBN-10: 0674024060

ISBN-13: 978-0674024069

Product Dimensions:

6.2 x 1.5 x 9.2 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#799,920 in Books (See Top 100 in Books)

MacKinnon is a feminist icon for a reason. She writes persuasively and her logic is impeccable (I'm sure some privileged white dudes would disagree, feel threatened by this book, and give it bad reviews, but hey.) This book is moderately advanced in terms of feminist theory, but not prohibitively difficult for beginners to understand.

Incredible, very feminist and radical but very good points, if you understand the women's movement you will celebrate the ideas in this book. Is clear, easy and go very deep in some issues.

The book was described as "like new" but it was actually brand new! It was covered and everything. Great transaction!

yes, there is a war on women, and Mackinnon explains how it works,read it if you have the courage to face the truth.(many men spend a lot of time hating/trashing her on line because they cannotface their own truth)

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Sunday, June 9, 2019

PDF Download Big Beat Heat: Alan Freed and the Early Years of Rock & Roll, by John A. Jackson

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Big Beat Heat: Alan Freed and the Early Years of Rock & Roll, by John A. Jackson


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Big Beat Heat: Alan Freed and the Early Years of Rock & Roll, by John A. Jackson

Product details

Hardcover: 400 pages

Publisher: Schirmer Reference; 1St Edition edition (June 1, 1991)

Language: English

ISBN-10: 0028711556

ISBN-13: 978-0028711553

Product Dimensions:

6.2 x 1.2 x 9.5 inches

Shipping Weight: 1.9 pounds

Average Customer Review:

4.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#953,087 in Books (See Top 100 in Books)

The text runs to page 337, the balance of the book shows meticulously listed notes, bibliography (books and magazines listed separately), a somewhat surface thin discography, and index. This is a great bang for the buck book.The book consists almost entirely of Freed's adult career, and does it in depth, in chronological order, as it should be. Although the story makes clear that Freed was a fly-by-night operator and got caught out for unreported tax issues, er, like Al Capone (or V.P. Republican Spiro T. Agnew?), Jackson also mixes in the BMI vs. ASCAP publishing war, major label oligarchy and race issues, and weaves it all into place. Thankfully, the author keeps following the money, deal making, under the table transactions, deliciously sleazy salesmanship, the quick buck of unrestrained capitalism at its finest, instead of those sanctimonious socio-political deconstructionist bores so much in vogue with what passes for "rock scholarship." And there's the (in)famous Morris Levy in the mix during the New York years.One gets the feeling reading this book of walking through a seedy open air weekend flea market, where hucksters deal in soon-to-be landfill junk desperately trying to find a mark to haul away their burnt-out inventory. The book splits from the most interesting period, (1) when the radio and records industry had segregated the airwaves and retail exposure on color lines, and what became known as the major labels (Victor, Columbia, Decca, Capitol, Mercury and MGM, plus the offshoots) formed the RIAA as a publishing/record factory oligarchy trade group (in '52), the uneasy financial cold war between BMI --r&b, jazz, folk/hillbilly-- and ASCAP --the pre-WWII monopoly copyright gorilla-- trying to promote/control/roll back the onslaught of "their" cheap junk music that was less worse than "our" cheap junk music, into (2) the crash at the top in early '58 when maltshop bop rock 'n roll was splitting away from booze and broads' r&b, and (3) then the reaction, getting a boost from the political cops trying to stamp out The Big Beat, becoming involved in the free-for-all on the air waves and trade magazines, making vapid youth pop music safe, sane, & sanitized.The book, unfortunately, is light on information about Freed's publishing cut-ins and self-dealing; his discography only lists those recordings under his own name as an artist, but doesn't delve very deeply into his label credits, such as the Moonglows' label credits on their Chess 78/45 releases, Ruth McFadden's Old Town 1017 78/45 single, and Freed's label credits on the following white rock 'n roll:"Sincerely" by the McGuire Sisters, Coral 61323 (this is mentioned in the book; this record may be considered as the door that opened the pop charts to r&b covers and crossovers on the white pop charts)."Maybellene" (by Chuck Berry) covered by Jim Lowe on Dot 15407, Johnny Long on Coral 61479, Marty Robbins on Columbia 21446 (a country series, not pop 39000-40000s Columbia single), and Ralph Marterie on Mercury 70682. None of theses covers list the Berry-Freed credit; however, Johnny Rivers's 1964 cover on Imperial 66056 does show Freed's cut-in on the label."Most of All" by the Fontane Sisters on Dot 15352, and Don Cornell on Coral 61393. (In 1969 on The Arbors' Date 2-1638 45 single)"In Love" by Dorothy Collins on Coral 61510 (flip of the hit, "My Boy, Flat Top")"Teenage Meeting" by Don Cornell on Coral 61584, also Dave Appell & The Applejacks on President 1006. Don Cornell also did a cover of the Moonglows' "See Saw" on Coral 61721, though that song doesn't show any Freed label credit."Rock and Roll Party" by Big Dave & His Orchestra on Capitol F3028The most telling aspect of the book is the off-hand reference to Al Silver (Herald and Ember Records--r&b) getting hit by the IRS, disallowing his payola business payoffs as deductable business expenses and being $150,000 in the red to the IRS, killing his labels. 'Twas the taxman and his auditors that killed the beast.

Lots of great trivia with dates, names, and background information galore. This is a history book, and I take it very seriously. Who knew that the Payola scandals developed from a Congress that was anxious to keep going after their successful campaign against rigged Quiz Shows? I recommend to anyone wanting a view of the radio business from the forties through the fifties.

I love this book! It takes me back to the days of my teenage years and so much of what is in the book was actually happening while I was growing up! It's interesting to say the least!

I really enjoyed this book. Several personal stories about Alan Freed provide insight into his life. The writer does a good job of explaining the historical events/context that surrounded Freed's life. It's a shame Freed didn't live longer to see what he contributed to popular music.

This is a good book about the life of legendary DJ Alan Freed. His personal life, as a radio and tv host and as promotor of his own concerts around the east coast.His failures seem to have caused his downfall, a terrible riot during a show in Boston for which he was indicted and also payola, receiving money to play records. Both cases cost him a lot of money and pain.He was married three times, unfortunately the last two wives refused to talk to the author. Jackson says that his third wife Inga was also a heavy drinker, which did not help at all. He died in 1965, only 44 years old

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Saturday, June 8, 2019

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Magical Negro

Review

“Morgan Parker's latest collection is a riveting testimony to everyday blackness . . . It is wry and atmospheric, an epic work of aural pleasures and personifications that demands to be read―both as an account of a private life and as searing political protest.” - Glory Edim, TIME Magazine“2019 justly belongs to Morgan Parker. Her poems shred me with their intelligence, dark humor and black-hearted vision. Parker is one of this generation’s best minds, able to hold herself and her world, which includes all of us, up to impossible lights, revealing every last bit of our hopes, failings, possibilities and raptures.” - Danez Smith, T Magazine“Morgan Parker continues to fearlessly explore what it means to be a black woman in the United States today. . . . Bold and edgy, the writing spotlights the strength and tenacity that enable the speaker to survive grief and inequity. It also gives voice to her disappointments and delights as she claims―and proclaims―agency over her body and her life.” - The Washington Post“From dating white boys to imagining what Diana Ross was thinking in that famous photo where she licks her fingers after eating a pair of ribs, Parker’s second poetry collection runs the gamut. But each poem is written with her signature wry humor and caustic honesty.” - BuzzFeed“Told with Parker’s signature lyricism and humor; her poems have the ability to soothe and to incite, she nimbly creates spaces for you to rest while reading, and let the power of her words and message sink into you like a heavy stone into water, or a hot knife through butter. It’s nothing short of triumphant.” - NYLON“Fierce, playful and political, Parker’s poems celebrate the everyday just as they face off ancestral hurt. . . . Holding history and the contemporary to account, Magical Negro meets prejudice with an unwavering eye.” - The Guardian“Parker’s voice is surprising, ranging from elegiac to conspiratorial to ecstatic; she interrogates both blackness and femininity like ports in a long personal journey, as places to land but also as points of departure.” - Vogue“Parker’s poetry seamlessly intertwines moments of intimate introspection, euphoria, desire, and sorrow with reflections on the psychological and spiritual legacy of Black America.” - Broadly“Parker's poetry is lyrical, humorous and bold. She holds nothing back in this collection, and the reader never asks her to.” - Marie Claire“It’s a cliché to call a work of art a conversation starter, but this book is. One could spend hours discussing not only the whole collection, but each individual poem. . . . Dizzyingly interdisciplinary . . . A book that delights and astonishes even as it interrogates.” - The Los Angeles Review of Books

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About the Author

Morgan Parker is the author of There Are More Beautiful Things Than Beyoncé and Other People’s Comfort Keeps Me Up At Night. Her poetry and essays have appeared in Tin House, the Paris Review, The BreakBeat Poets: New American Poetry in the Age of Hip-Hop, Best American Poetry 2016, the New York Times, and the Nation. She is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a 2016 Pushcart Prize, and a Cave Canem graduate fellow.

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Product details

Paperback: 112 pages

Publisher: Tin House Books; 1 edition (February 5, 2019)

Language: English

ISBN-10: 1947793187

ISBN-13: 978-1947793187

Product Dimensions:

5.6 x 0.4 x 8.6 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

3.8 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#25,891 in Books (See Top 100 in Books)

I have already read this gorgeous collection twice, and will be returning to it often. Parker's poems are often humorous, sometimes devastating, always brilliant.

If you enjoyed There Are More Beautiful Things Than Beyoncé, then you’ll like this one too.

There is very little poetry is this book. What is there is more like scribblings in a high school notebook. The idea seems to be: Make a laundry list of today’s hot topics and buzzwords. Then make a bunch of half sentences and arrange them in a way that parodies a good deal of late twentieth century poetry. Don’t capitalize, e.e. cummings style. Also, make every poem about yourself and the wonder of being you.I once read that a bad protest song is still a bad song. Same here.If you want to see how beauty can be created from oppression, check out Seamus Heaney. Or Nikki Giovanni. I don’t doubt that the author may possess the seeds of talent, but a lot more practice at the art of Poetry is needed.

This work is a comprehensive meditation on the intersections of Blackness, womanhood, consciousness, and Millennialist identity in the Trump-era America. There is acute sensitivity and cultural analysis transcribed in these poems, as well as subsequent soul weariness, birthed from the inherited Afro-American collective and enacted through day to day interactions with whites, with men, and with oneself.The consistent theme here is race, but then, as Parker expounds, when one is Black, one cannot escape confronting race, whether one wants to or not. It's the ever dominant reality. Her lyrics here is the stream of consciousness in all our minds everyday.

Artfully crafted. Genius work. Revelatory poet. I feel lucky to be living on earth at the same time as her.

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